“Lyrically, they’ve always been about positivity and believing in yourself, going against the odds and going against the grain.” “Even though maybe they’re not the type of people I look up to now, I can look at Kiss and be 12 years old again,” says Steve. Kiss even had their own Marvel title in 1977, the genius gimmick being that the band donated blood and mixed it into the red ink at the press, allowing the publisher to boast that the issue was printed in the band’s own blood. Writing an album in the guise of Quill’s favourite band also led Steve to look into his own lifelong love for Kiss, the US band who dress like comic book heroes and rock like demons, albeit these days with thicker make-up and unpopular opinions.
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So I embraced it, saying, ‘Well, I guess I’m really doing a record’.” As I started writing, especially the lyrics, I found I was putting myself into it. Somebody saying, ‘I don’t think you can do that’ and you’re like, ‘OK, well stand back and watch me’. And when I looked at it at home I’m like, F-, that’s pretty much been my life, you know. “We made a list of about 10 high level topics: family, standing up against the odds, things like this. “Though I did slip in a reference to the Black Hole Saloon, which sounds kinda dirty.”īeneath the sci-fi window dressing, says Steve, the album’s themes are universal. “I sat down with the Creative Director and said to him, ‘Look, I don’t want to cross any barriers because obviously with Marvel and Disney on board, I can’t be writing Motley Crue songs about going to strip joints,’” laughs Steve. The only period detail missing is problematic lyrics about acceptable-in-the-’80s things.
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It’s easy to imagine Peter Quill enjoying the Star-Lord album, with its Frank Frazetta-style cover art, gnarly angular logo (reproduced as a patch on Star-Lord’s jacket in the GOTG game), era-perfect, riff-tastic sound and songs about space adventures. “You don’t fit in, the girls don’t like you, your hair is kind of in between long and short, you just can’t obtain this cool factor that you feel is there. “If you were a hard rock kid like I was in high school, you can very much relate to the young Peter Quill,” says Steve. There’s a bit of an analogy there with our hero Star-Lord himself – plucked from Earth as a boy in 1989 and fumbling his way to reluctant galactic hero status via a stint as a space mercenary. Sometimes people say luck is actually more just being the guy who hung around long enough!” So I’ve been waiting in the queue for quite a while now. “But once I hit 30, I figured maybe this ain’t gonna happen. “Up until 30, all I did was play music and work a job for just long enough to keep me on the road,” says Steve. Turns out he wasn’t, but not for lack of trying.
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With his Robert Plant ringlets and Motorhead T-shirt, the man who pops up on Zoom to talk about his work on the title – and, in particular, the Star-Lord album he recorded almost single-handedly – looks like he should have been on the cover of Kerrang! a few times back in the 1990s. All of which is to say that Marvel’s Guardians of the Galaxy is not only a game that takes its music seriously, it’s one that could change expectations of in-game music forever. The album, ‘Space Rider’, stands in addition to a separate orchestral score and an ’80s-tastic licensed soundtrack featuring Rick Astley, Kiss, Gary Numan, Iron Maiden and even New Kids On The Block, which kicks in when you, as Star-Lord, take your team into battle. Fans of Judas Priest, Megadeth and Meat Loaf should give it a spin immediately. The solution was to challenge Szczepkowski to fill in the blanks, and he did so by supplying not just a track, but a full-length concept album of period-perfect hard rock that brings to mind stonewash denim and music videos filmed at a desert canyon in a windstorm.
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That presented a problem because, well, there wasn’t a 1980s band called Star-Lord. The audacious effort came about following a tweak to Peter Quill’s origin story which dictated that he took his Super Hero name, Star-Lord, from that of his favourite rock band. By day a mild-mannered senior audio director, Szczepkowski is now living a double life as a rock god-in-waiting fronting the band Star-Lord, a group that rocks so hard their latest video, just released, looks like a gnarly 1980s Saturday morning cartoon about kickass heavy metal vikings. But while working on Square Enix’s forthcoming blockbuster game, Marvel’s Guardians of the Galaxy, Steve Szczepkowski found himself living out his rock ‘n’ roll fantasies from the comfort of his office at Eidos Montreal’s Canadian HQ. For many of us, the most exciting event we can hope for in an average day at the office is tactically manipulating the tea round to one’s own advantage, or perhaps an unplanned fire alarm.